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| AlbumTitle | Subtitle | Works | Performers | Record Label | Catalog No |
| Music at All Souls, Oxford | The Lancastrians to the Tudors | 1. Lamentations; others by 'Roy Henry', Power, Dunstable, Lambe, Davy, Merbecke, Tallis, Sheppard, Tye, Parsons, Sturgeon | The Cardinall's Musick dir. Andrew Carwood | ASV Gaudeamus | CD GAU 196 |
| Elizabethan Consort Music | 1558 - 1603 | 1. Pavin of Albarti (Innocenzio Alberti); 2. Gallyard (Innocenzio Alberti); 3. In nomine (Anon.); 4. In nomine III à 5 (Nicholas Strogers); 5. Desperada (Anon.); 6. Gallyard (Anon.); 7. Almande (Anon.); 8. Browning my dere (Clement Woodcocke); 9. In nomine à 5 (Robert White); 10.Ronda (Anon.); 11. La represa (Anon.); 12. Gallyard (Anon.); 13. In nomine II à 5 (Clement Woodcocke); 14. In nomine III à 5 (Clement Woodcocke); 15. Allemana d'amor (Anon.); 16. Dance (Anon.); 17. Quemadmodum (John Taverner); 18. Consort piece à 6 "Di sei soprani" (William Daman); 19. Pavana (Anon.); 20. Brandeberges (Anon.); 21. La represa (Anon.); 22. In nomine IV à 6 (Nicholas Strogers); 23. O mater mundi (William Mundy); 24. Pavana (Anon.); 25. Gallyard (Anon.); 26. Dance (Anon.); 27. In nomine à 7 no 1 (Robert Parsons); 28. Mr. Parsons his Songe "The Songe called Trumpetts" (Robert Parsons); 29. In nomine à 7 no 2 (Robert Parsons) | Hesperion XXIdir.Jordi Savall | Alia Vox | AV 9804 |
| Taverner & Tudor Church Music II | Gloria tibi Trinitas | Plainchant antiphon: Gratias tibi Deus; Magnificat Regale (Robert Fayrfax); Plainchant Introit: Benedicta sit; Gloria tibi Trinitas - Gloria (John Taverner); Christe qui lux es et dies (III) (Robert White); Plainchant Gradual: Benedictus es; Gloria tibi Trinitas - Credo (John Taverner); Christe qui lux es et dies (IV) (Robert White); Plainchant antiphon: Gloria tibi Trinitas; Gloria tibi Trinitas - Sanctus (John Taverner); Gloria tibi Trinitas - Benedictus (John Taverner); Christe qui lux es et dies (William Byrd); Plainchant hymn: Iam sol recedit igneus; Gloria tibi Trinitas - Agnus Dei (John Taverner); Te lucis ante terminum (Thomas Tallis) | Ars Nova Copenhagen | Ars Nova (Da Capo) | 8.226056 |
| Robert White | Lamentations of Jeremiah | 1. Lamentations of Jeremiah; 2.Regina coeli; 3. Portio mea Domine; Christe qui lux es; | The Clerkes of Oxenforddir.David Wulstan | Nonesuch | H-71400(LP) |
| Tudor Church Music | Robert White | 1. Magnificat; 2.Portio mea; 3. Regina caeli; 4. Christe qui lux es (III and IV); 5. Exaudiat te Dominus; 6. Lamentations | The Tallis Scholarsdir.Peter Phillips | Gimell | CDGIM 030 |
| A Candle in the Dark | Elizabethan Songs and Consort Music | 1. Fantasia II; others by Byrd, Dowland, William Mundy, Tye, Campion, Ferrabosco, John Johnson, Picforth | Ellen Hargis (s), Drew Minter (ct), The Newberry Consort dir. Mary Springfels | Harmonia Mundi | HMU 907140 |
| Armada | Music from the courts of England and Spain | 1. Rejoice unto the Lord (Byrd); 2. Diferencias sobre "La dama le demanda" (Antonio de Cabezón); 3. Fantasia (Lopez); 4. Morenica dame (Miguel de Fuenllana); 5. Browning a 3 (Elway Bevin); 6. The Carman's Whistle, MB 36 (Byrd); 7. Psalmes, Sonets and Songs: Come to me, grief, forever (Byrd); 8. Trattado de glosas: Recercada secunda "sobre canto llano" (Diego Ortiz); 9. Fantasia à 5 "Susana un jur" (Hernando de Cabezón); 10. Fantasia de redobles (Miguel de Fuenllana); 11. In angel's weed (Byrd); 12. Dulce memoria (Hernando de Cabezón); 13. Diferencias sobre "La Milanesa" (Antonio de Cabezón); 14. Recercada tercera (Diego Ortiz); 15. Pandolpho 1 "Pour down, you pow'rs divine" (Parsons); 16. Fantasia a 4 (White); 17. Quiento hizo (Esteban Daza); 18. In Nomine a 5 (Picforth); 19. Almain "The Honiesuckle" (Anthony Holborne); 20. Pavan "Paradizo" (Anthony Holborne); 21. Coranto "Fairy Round" (Anthony Holborne); 22. Fantasia a 5 in C major (Byrd); 23. Lachrimae or Seaven Teares: M. Bucton his Galiard (Dowland); 24. Lachrimae or Seaven Teares: Captaine Piper his Galiard (Dowland); 25. Fantasy a 4 (Bull); 26. Lachrimae or Seaven Teares: Lachrimae antiquae (Dowland); 27. Lachrimae or Seaven Teares: M. Nicholas Gryffith his Galiard (Dowland); 28. In Nomine à 5 (Alfonso (II) Ferrabosco); 29. Fantasias (2) à 4 "for the great double bass": Excerpt(s) (Orlando Gibbons); 30. In Nomine à 5 (Orlando Gibbons); 31. Aires for 2 Division Viols in C major: Pavan of Alfonso (Lawes); 32. Aires for 2 Division Viols in C major: Almaine of Alfonso (Lawes); 33. My Ladye Nevalls Booke: A Fancie on C (Byrd); 34. Consort Sett à 5 in C major (Lawes) | Michael Chance (Countertenor), Christopher Wilson (Lute), Paul Nicholson (Harpsichord, Organ), Richard Booth (Bass Viola da gamba), Fretwork | Virgin Veritas | 7243 5 61821 2 7 |
| Masters of Early English Keyboard Music | 1. Ut re mi; others by Bull, Tomkins, Farnaby, Gibbons, Byrd, Blitheman, Locke, Preston, etc. | Thurston Dart (h, org, clav) | L'Oiseau Lyre | OSL 114/8(LP) | |