| AlbumTitle | Subtitle | Works | Performers | Record Label | Catalog No |
| Alfonso Ferrabosco the Younger | Consort Music to the Viols in 4, 5, & 6 Parts | 1. Dovehouse Pavan, for 5 viols; 2. Almans (10) for 5 viols: Almaine; 3. Fantasia for 4 viols No. 14; 4. Fantasia for 4 viols No. 4; 5. Fantasia for 4 viols No. 2; 6. Fantasia for 4 viols No. 8; 7. In Nomine a 5; 8. Fantasia for 6 viols No. 3; 9. Fantasia for 4 viols No. 24; 10. Fantasia for 4 viols No. 5; 11. Fantasia for 4 viols No. 7; 12. Fantasia for 4 viols No. 9; 13. Pavan on Four Notes, for 5 viols; 14. Fantasia for 6 viols No. 2; 15. Fantasia for 4 viols No. 6; 16. Fantasia for 4 viols No. 1; 17. Fantasia for 4 viols No. 10; 18. Fantasia for 4 viols No. 3; 19. Work(s): [Unspecified] In Nomine a 6; 20. Fantasia for 6 viols No. 6 | Hesperion XXI dir. Jordi Savall | Alia Vox | AV 9832 |
| The Spirite of Musicke | Viols and Voice | 1. So Beautie on the waters stood; 2. Like Hermit poore; and works by Hume, Coperario, Jenkins, Simpson | Suzie Le Blanc (s); Les Voix Humaines | ATMA | ACD 2 2136 |
| The Spirit of Gambo | English Consort and Solo Viol Music 1570-1680 | 1. Sit Fast (Tye); 2. Lachrimae Gementes (Dowland); 3. The Earle of Essex Galliarde (Dowland); 4. Harke, harke (Hume); 5. A Souldiers Resolution (Hume); 6. Fantasia V (Coprario); 7. Almaine III (Coprario); 8. Coranto (Coprario); 9. Fantasie X (Gibbons); 10. In Nomine (Gibbons); 11. Almaine (Ferrabosco II); 12. Coranto I (Ferrabosco II); 13. Coranto II (Ferrabosoco II); 14. The bell Pavan (Jenkins); 15. Walsingham (Corkine); 16. The Punckes delight (Corkine); 17. Suite No. II in D minor-major (Locke); 18. The Lancashire Pipes (Anon.); 19. Fantasia IX (Purcell); 20. Fantasia upon one note (Purcell) | Hesperion XXdir.Jordi Savall | Fontalis | ES 9913 |
| A High Priz'd Noise | Violin Music for Charles I | 1. The Prince's Alman (Robert Johnson); 2. The Peince's Coranto (Robert Johnson); 3. Air in G minor (Robert Johnson); 4. Fantasia in G minor for three trebles (Robert Johnson); 5. The Temporiser (Robert Johnson); 6. The Witty Wanton (Robert Johnson); 7. Pavan in C major (Alfonso Ferrabosco II); 8. Alman in C major (Alfonso Ferrabosco II); 9. Alman in D minor (Maurice Webster); 10. Galliard in B flat major after Bocquet (Maurice Webster); 11. Echo No. 1 in D minor (Maurice Webster); 12. Echo No. 2 in G major (Maurice Webster); 13. Allamanda (Stephen Nau); 14. Galliarde (Stephen Nau); 15. Courante I (Stephen Nau); 16. Courante II (Stephen Nau); 17. Courante III (Stephen Nau); 18. Courante IV (Stephen Nau); 19. Sarabande (Stephen Nau); 20. Variations on the Ruggiero (Angelo Notari); 21. Alman in D major 'for the Violins of 2 Trebles' (William Lawes); 22. Ballet in F major (Stephen Nau); 23. Air in C minor (William Lawes); 24. Air in C minor (WilliamLawes); 25. Air in C major (William Lawes); 26. Air in C major (William Lawes); 27. Pavan in D minor (Stephen Nau); 28. Galliard in D minor (Stephen Nau) | The Parley of Instruments Renaissance Violin Banddir. Peter Holman | Hyperion | CDA66806 |
| Armada | Music from the courts of England and Spain | 1. Rejoice unto the Lord (Byrd); 2. Diferencias sobre "La dama le demanda" (Antonio de Cabezón); 3. Fantasia (Lopez); 4. Morenica dame (Miguel de Fuenllana); 5. Browning a 3 (Elway Bevin); 6. The Carman's Whistle, MB 36 (Byrd); 7. Psalmes, Sonets and Songs: Come to me, grief, forever (Byrd); 8. Trattado de glosas: Recercada secunda "sobre canto llano" (Diego Ortiz); 9. Fantasia à 5 "Susana un jur" (Hernando de Cabezón); 10. Fantasia de redobles (Miguel de Fuenllana); 11. In angel's weed (Byrd); 12. Dulce memoria (Hernando de Cabezón); 13. Diferencias sobre "La Milanesa" (Antonio de Cabezón); 14. Recercada tercera (Diego Ortiz); 15. Pandolpho 1 "Pour down, you pow'rs divine" (Parsons); 16. Fantasia a 4 (White); 17. Quiento hizo (Esteban Daza); 18. In Nomine a 5 (Picforth); 19. Almain "The Honiesuckle" (Anthony Holborne); 20. Pavan "Paradizo" (Anthony Holborne); 21. Coranto "Fairy Round" (Anthony Holborne); 22. Fantasia a 5 in C major (Byrd); 23. Lachrimae or Seaven Teares: M. Bucton his Galiard (Dowland); 24. Lachrimae or Seaven Teares: Captaine Piper his Galiard (Dowland); 25. Fantasy a 4 (Bull); 26. Lachrimae or Seaven Teares: Lachrimae antiquae (Dowland); 27. Lachrimae or Seaven Teares: M. Nicholas Gryffith his Galiard (Dowland); 28. In Nomine à 5 (Alfonso (II) Ferrabosco); 29. Fantasias (2) à 4 "for the great double bass": Excerpt(s) (Orlando Gibbons); 30. In Nomine à 5 (Orlando Gibbons); 31. Aires for 2 Division Viols in C major: Pavan of Alfonso (Lawes); 32. Aires for 2 Division Viols in C major: Almaine of Alfonso (Lawes); 33. My Ladye Nevalls Booke: A Fancie on C (Byrd); 34. Consort Sett à 5 in C major (Lawes) | Michael Chance (Countertenor), Christopher Wilson (Lute), Paul Nicholson (Harpsichord, Organ), Richard Booth (Bass Viola da gamba), Fretwork | Virgin Veritas | 7243 5 61821 2 7 |
| The Cries of London | 1. Muy Linda: Galliard (Anthony Holborne); 2. The Country Cries (Richard Dering); 3. Courtly Masquing Ayres (31): no 1 (John Adson); 4. Almain "Fruit of Love" (Anthony Holborne); 5. Playfellow no 2 "Wanton" (Anthony Holborne); 6. Cryes of London (Orlando Gibbons); 7. Pavans, Galliards, Almaines (65): The Funerals (Anthony Holborne); 8. Pavans, Galliards, Almaines (65): The choise (Anthony Holborne); 9. Pavans, Galliards, Almaines (65): Galliard (Anthony Holborne); 10. Courtly Masquing Ayres (31): no 8 (John Adson); 11. The Cry of London (Anonymous); 12. Pavan for Lute no 3 "Sedet Sola" (Anthony Holborne); 13. Pavans, Galliards, Almaines (65): The Fairie-round (Anthony Holborne); 14. Cries of London (Thomas Weelkes); 15. Opusculum neuer Pavanen, Galliarden, Couranten und Volten: Pavan (Thomas Simpson); 16. Opusculum neuer Pavanen, Galliarden, Couranten und Volten:Galliard (Thomas Simpson); 17. Opusculum neuer Pavanen, Galliarden, Couranten und Volten: Courante (Thomas Simpson); 18. Opusculum neuer Pavanen, Galliarden, Couranten und Volten: Volta (Thomas Simpson); 19. Cor mio, deh non languire (John Ward); 20. Consort piece à 6 "Di sei soprani" (William Daman); 21. Fantasia for 6 Bass Viols (Alfonso Ferrabosco); 22. Madrigal for six voices: If sorrow might (Richard Dering); 23. Music for His Majesty's Cornetts and Sackbutts: Suite in D minor (Matthew Locke); 24. Music for His Majesty's Cornetts and Sackbutts: Suite in F major (Matthew Locke) | Les Sacqueboutiers | Ambroisie | 9965 | |
| Thomas Simpson | An Englishman Abroad | 1. Alman; 2. Alman; other works by Dowland, Simpson; Johnson; etc. | The Parley of Instrumentsdir.Peter Holman | Hyperion | 66435 |
| Ben Jonson's The Masque of Oberon | Music by Ferrabosco II, Johnson, Holborne | 1. The Solemn Rites Are Well Begun; 2. Nay, Nay, You Must Not Stay; 3. Gentle Knights; 4. O Yet How Early, and Before Her Time; 5. Almande; others by Holborne, Robert Johnson, etc. | Musicians of the Globedir.Philip Pickett | Philips | 446 217 |
| A High Priz'd Noise | Violin Music for Charles I | 1. The Prince's Alman (Robert Johnson); 2. The Peince's Coranto (Robert Johnson; 3. Air in G minor (Robert Johnson); 4. Fantasia in G minor for three trebles (Robert Johnson); 5. The Temporiser (Robert Johnson); 6. The Witty Wanton (Robert Johnson); 7. Pavan in C major (Alfonso Ferrabosco II); 8. Alman in C major (Alfonso Ferrabosco II); 9. Alman in D minor (Maurice Webster); 10. Galliard in B flat major after Bocquet (Maurice Webster); 11. Echo No. 1 in D minor (Maurice Webster); 12. Echo No. 2 in G major (Maurice Webster); 13. Allamanda (Stephen Nau); 14. Galliarde (Stephen Nau); 15. Courante I (Stephen Nau); 16. Courante II (Stephen Nau); 17. Courante III (Stephen Nau); 18. Courante IV (Stephen Nau); 19. Sarabande (Stephen Nau); 20. Variations on the Ruggiero (Angelo Notari); 21. Alman in D major 'for the Violins of 2 Trebles' (William Lawes); 22. Ballet in F major (Stephen Nau); 23. Air in C minor (William Lawes); 24. Air in C minor (WilliamLawes); 25. Air in C major (William Lawes); 26. Air in C major (William Lawes); 27. Pavan in D minor (Stephen Nau); 28. Galliard in D minor (Stephen Nau) | The Parley of Instruments Renaissance Violin Banddir. Peter Holman | Hyperion | CDA66806 |
| Greensleeves | A Collection of English Lute Songs | 1. So Beauty on the Waters Stood; other works by Dowland, Rosseter, Morley, Holborne, Cavendish, etc | Julianne Baird (s); Ronn McFarlane (l) | Dorian | DOR-90126 |
| The English Lute Song | 1. Come My Celia; other works by Dowland, Johnson, Campion, Morley, Brewer, Lanier, etc | Julianne Baird (s); Ronn McFarlane (l) | Dorian | DOR-90109 | |
| Blockflötenmusik der Renaissance | Recorder Music--England | 1. 4 Notes - Pavan; other works by Henry VIII, Taverner, Morley, Bull, Holborne, Brade, Ward, Coperario, Lupo, Tye | Wiener Blockflötenensemble | Das Alte Werke | 6.42356AW(LP) |
| English Ayres and Duets | sung in authentic Elizabethan pronunciation | 1. Tell me, O love; others by Dowland, Campion, Hume, Danyel, Pilkington. Jones | The Camerata of London | Hyperion | A66003 (LP) |
| Altenglische Consortmusik | 1. Fantasi I; 2. Fantasia II; others by Alison, Holborne, Lawes, Coperario, Strowgers, Dowland, Robert Johnson, Morley | Konrad Ragossnig (l), The Linde-Consort | EMI-Reflexe | 1C063-30 105 (LP) | |