| AlbumTitle | Subtitle | Works | Performers | Record Label | Catalog No |
| Weelkes | Ninth Service and Anthems | 1. Ninth Service; 2. Evening Service for five voices; 3. Alleluia, I heard a voice; 4. When David heard; etc | Christ Church Cathedral Choir dir.Stephen Darlington | Nimbus | NI 5125 |
| Weelkes | Madrigals & Anthems | 1. What Have The Gods; 2. Hosanna To The Son Of David; 3. Like Two Proud Armies; 4. Cease Now Delight; etc. | The Consort of Musicke dir.Anthony Rooley | ASV Gaudeamus | CD GAU 195 |
| Music from the time of Elizabeth I | 1.On the plains fairy trains; 2. Sweet heart, arise; 3. Welcome, sweet pleasure; other works by Byrd, Farnaby, Bull, Holborne, Johnson; Ravenscroft, etc, | Academy of Ancient Musicdir.Academy of Ancient Music | L'Oiseau Lyre | 433 193 | |
| The Cries of London | 1. The Cries of London I & II (Orlando Gibbons); 2. New Fashions (William Cobbold); 3. Fantasia a 4 for the Great Dooble-Base (Orlando Gibbons); 4. The Cries of London (Thomas Weelkes); 5. Fantasia No.1 in 6 parts (Richard Dering); 6. The City Cries (Richard Dering); 7. Go from my Window (Orlando Gibbons); 8. In the merry month of May / Corydon would kiss her then (Michael East); 9. Sweet Muses / Aye me / My peace and my pleasure(Michael East); 10. The Three Ravens (Thomas Ravenscroft); 11. The Country Cries (Richard Dering) | Theatre of Voices, Fretwork | Harmonia Mundi | HMU 907214 | |
| The Cries of London | 1. Muy Linda: Galliard (Anthony Holborne); 2. The Country Cries (Richard Dering); 3. Courtly Masquing Ayres (31): no 1 (John Adson); 4. Almain "Fruit of Love" (Anthony Holborne); 5. Playfellow no 2 "Wanton" (Anthony Holborne); 6. Cryes of London (Orlando Gibbons); 7. Pavans, Galliards, Almaines (65): The Funerals (Anthony Holborne); 8. Pavans, Galliards, Almaines (65): The choise (Anthony Holborne); 9. Pavans, Galliards, Almaines (65): Galliard (Anthony Holborne); 10. Courtly Masquing Ayres (31): no 8 (John Adson); 11. The Cry of London (Anonymous); 12. Pavan for Lute no 3 "Sedet Sola" (Anthony Holborne); 13. Pavans, Galliards, Almaines (65): The Fairie-round (Anthony Holborne); 14. Cries of London (Thomas Weelkes); 15. Opusculum neuer Pavanen, Galliarden, Couranten und Volten: Pavan (Thomas Simpson); 16. Opusculum neuer Pavanen, Galliarden, Couranten und Volten:Galliard (Thomas Simpson); 17. Opusculum neuer Pavanen, Galliarden, Couranten und Volten: Courante (Thomas Simpson); 18. Opusculum neuer Pavanen, Galliarden, Couranten und Volten: Volta (Thomas Simpson); 19. Cor mio, deh non languire (John Ward); 20. Consort piece à 6 "Di sei soprani" (William Daman); 21. Fantasia for 6 Bass Viols (Alfonso Ferrabosco); 22. Madrigal for six voices: If sorrow might (Richard Dering); 23. Music for His Majesty's Cornetts and Sackbutts: Suite in D minor (Matthew Locke); 24. Music for His Majesty's Cornetts and Sackbutts: Suite in F major (Matthew Locke) | Les Sacqueboutiers | Ambroisie | 9965 | |
| Thomas Weelkes - Thomas Tallis | Tudor Church Music | 1. Nunc Dimittis (in medio chori); 2. Give Ear O Lord; 3. Voluntary (for organ); 4. Alleluia, I heard a voice; etc. and Tallis works | Choir of St John's College, Cambridge dir.George Guest | Argo | ZRG 5237 (LP) |
| Thomas Weelkes | Les Cris de Londres | 1. In Nomine à 5 (for viols); 2. To Shorten Winter's Sadness; 3. All Laud and Praise; 4.Lachrimae; etc. | Deller Consort | Harmonia Mundi | HM 224 (LP) |
| Madrigale und Orgelmusik der Englischen Renaissance | 1. O Care, Thou Wilt Despatch Me/Hence Care Thou Art Too Cruel and works by Tomkins, Carleton, Redford, Gibbons, Tye, Tallis, Byrd, Edwards, Shelbye, Blitheman, Morley, etc. | London Ambrosian Singersdir.John McCarthy; Hans Kann (org) | Polyhymnia | 1995(LP) | |
| Thomas Weelkes | Cathedral Music | 1. Magnificat and Nunc Dimittis; 2. Hosanna To The Son Of David; 3. When David heard; 4. Give Ear, O Lord; 5. O how amiable; etc | Choir of the Abbey School, Tewkesburydir.Paul Brough | DUO | DUOCD 89011 |
| Thou knowest, Lord, the secrets of our hearts | Funeral Music and Laments from 16th and 17th century England | 1. Death Hath Deprived Me; other works by Morley, Gibbons, Tomkins, Purcell, Croft, Greene | Choir of Christ's College, Cambridge dir. David Rowland | Meridian | CDE 84363 |
| Italian and English Madrigals | 1. Cantiam lieti cantiamo (Giovanni Giacomo Gastoldi); 2. E d'un bel matin d'amore (Antonio Caprioli); 3. Quella bella e biancha mano (Antonio Caprioli); 4. Una leggiadra nimpha (Antonio Caprioli); 5. Venite amanti insieme (Loyset Compere); 6. Divini occhi sereni (Philippe Verdelot); 7. Con l'angelico riso, (Philippe Verdelot); 8. Madonna, il tuo bel viso (Philippe Verdelot); 9. Fuggi, fuggi, cor mio (Philippe Verdelot); 10. Si liet' e grata morte (Philippe Verdelot); 11. Se la dura durezza in la mia donna); (Jacques Arcadelt); 12. Ahime, dov' è'l bel viso); (Jacques Arcadelt); 13. Madonna, s'io v'offendo (Jacques Arcadelt); 14. Il bianco e dolce cigno (Jacques Arcadelt); 15. Donne, venète al ballo (Francesco Patavino); 16. Morir non può il mio cuore (Maddalena Casulana); 17. Se la mia vita (Luca Marenzio); 18. Mia benigna fortuna (Cipriano de Rore); 19. Anchor che col partire (Cipriano de Rore); 20. O sonno (Cipriano de Rore); 21. Chi la Gagliarda (Giovanni Domenico del Giovane da Nola); 22. Madonna mia famme bon'offerta (Adriaan Willaert); 23. Medici noi siamo (Giovanni Domenico del Giovane da Nola); 24. Quandro sarà mai quel zorno (Vincenzo Bell'Haver); 25. Matona mia cara (Roland de Lassus); 26. Tri ciechi siamo (Giovanni Domenico del Giovane da Nola); 27. O Griefe, Even on the Bud (Thomas Morley); 28. When, Loe, by Breake of Morning (Thomas Morley); 29. Aprill Is in My Mistris Face (Thomas Morley); 30. Thule the period of cosmographie (Thomas Weelkes); 31. Sweet Nimphe, Come to Thy Lover (Thomas Morley); 32. Sweet Hony Sucking Bees, madrigal (John Wilbye); 33. Miraculous Love's Wounding (Thomas Morley); 34. Adew, Sweet Amarillis (John Wilbye); 35. Weep, O mine Eyes (John Bennet); 36. Silver Swanne (Orlando Gibbons); 37. O care wilt thou dispatch mee); (Thomas Weelkes); 38. Since Robin Hood (Thomas Weelkes); 39. Fyre and Lightning from Heaven (Thomas Morley); 40. Strike it up tabor, madrigal (Thomas Weelkes); 41. See, See the Shepheards' Queene (Thomas Tomkins); 42. Come, Sable Night (John Ward); 43. Sweet Suffolke Owle (Thomas Vautor); 44. In Nets of Goulden Wyers (Thomas Morley); 45. Draw on Sweet Night (John Wilbye); | The Hilliard Ensemble | Virgin Veritas x2 | 7243 5 61671 2 | |
| The Triumphs of Oriana | Compiled by Thomas Morley | 1. The Lady Oriana (John Wilbye); 2. Sing, Shepherds All (Richard Nicholson); 3. Lightly She Whipped O'er The Dales (John Mundy); 4. Calm Was The Air And Clear The Sky (Richard Carlton); 5. Fantasia No. 2 (Holborne); 6. Hence Stars Too Dim Of Light (Michael East)_ ; 7. Come, Gentle Swains And Shephards' Dainty Daughters (Michael Cavendish); 8. With Angel's Face And Brightness (Daniel Norcombe); 9. The Nymphs And Shepherds Danced (George Marson); 10. Galliard (Holborne); 11. All Creatures Now Are Merry Merry-Minded (John Bennett); 12. Fair Nymphs, I Heard One Telling (John Farmer); 13. Fair Oriana, Seeming To Wink At Folly set by (Robert Jones); 14. The Fauns And Satyrs Tripping (Thomas Tomkins); 15. Galliard No.8 (Holborne); 16. Round About Her Charret, With All-admiring Strains (Ellis Gibbons); 17. With Wreaths Of Rose And Laurel (William Cobbold); 18. Thus Bonny-boots The Birthday Celebrated (John Holmes); 19. Long Live Fair Oriana. (Hark did you ever hear?) (Ellis Gibbons); 20. Fantasia No. 3 (Holborne); 21. Arise, Awake, Awake (Thomas Morley); 22. Hark! Did Ye Ever Hear So Sweet A Singing? (Thomas Hunt); 23. Fair Orian In The Morn (John Milton); 24. With Angel's Face And Brightness (George Kirbye); 25. Come, Blessed Bird (Edward Johnson); 26. Galliard (Byrd); 27. Hard By A Crystal Fountain (Thomas Morley); 28. Fair Oriana, Beauty's Queen (John Hilton); 29. Fair Cytherea Presents Her Doves (John Lisley); 30. As Vesta Was From Latmos Hill Descending (Thomas Weelkes) | I Fagiolini | Chandos Chaconne | CHAN 0682 |
| The Triumphs of Oriana | Madrigals 1600 | 1. As Vesta was from Latmos hill descending; other works by East, Tomkins, Morley, Wilbye, Johnson, etc. | Pro Cantione Antiqua, London dir.Ian Partridge | Archiv | 2533 347(LP) |
| The Golden Age of English Cathedral Music | 1. Magnificat and Nunc Dimittis; 2. Hosanna to the Son of David; 3. O Lord Arise Unto Thy Resting Place; other works by Morley, Byrd, Tallis, Gibbons, Taverner | James Lancelot, Winchester Cathedral Choirdir.Martin Neary, Viols of the Consort of Musicke | ASV Gaudeamus | GAU 119 | |
| Weelkes | Anthems | 1. Hosanna to the son of David; 2. Give ear, O Lord; 3. All people clap your hands; 4. What joy so true; 13 other works | Oxford Camerata dir. Jeremy Summerly | Naxos | 8.553209 |
| Florid-Song und Gambenmusik in England | um 1610-1660 | 1. Cease Sorrows Now; others by Hume, Gibbons, Coperario, Ward, Wilson, Hingston, Campion, Robert Johnson, Locke, Lupo | Studio der Frühen Musik; Concentus Musicus, Wien | Das Alte Werk | SAWT 9472-A (LP) |
| Madrigale und Orgelmusik der Englischen Renaissance | 1. O Care thou wilt despatch me/Hence Care. thou art too cruel; others by Carleton, Tallis, Redford, Gibbons, Tye, Tomkins, Edwards, Byrd, Shelbye, Dowland, Blitheman, Morley | The London Ambrosian Singersdir.John McCarthy | Polyhymnia | 1995 (LP) |