You can help support this site and defray its cost when you purchase recordings on-line through the links below:
| AlbumTitle | Subtitle | Works | Performers | Record Label | Catalog No |
| The Byrd Edition 1 | Early Latin Church Music | 1. Domine quis habitabit; 2. Omni tempore bendic Deum; 3. Christe redemptor; 4. Sermobe blando; etc | The Cardinall's Musick, dir. Andrew Carwood | ASV Gaudeamus | GAU 170 |
| The Byrd Edition 2 | Early Latin Church Music | 1. Ave regina caelorum; 2. O salutaris hostia; 3. In exitu Israel; 4. Deus in adjutorum; etc | The Cardinall's Musick, dir. Andrew Carwood | ASV Gaudeamus | GAU 178 |
| The Byrd Edition 3 | Early Latin Church Music | 1. Circumspice Jerusalem; 2. Te lucis ante terminum; 3. Petrus beatus; 4. Reges Tharsis et insulae; etc. | The Cardinall's Musick, dir. Andrew Carwood | ASV Gaudeamus | GAU 179 |
| The Byrd Edition 4 | Cantiones sacrae 1575 | The Cardinall's Musick, dir. Andrew Carwood | ASV Gaudeamus | GAU 197 | |
| The Cardinall's Musick Byrd Edition Volume 11 | Hodie Simon Petrus | Cantiones Sacrae 1591: 1. Descendit de caelis; 2. Haec dicit Dominus; 3. Miserere mei, Deus; 4. Recordare, Domine; 5. Exsurge, quare obdormiss Domine?; 6. Levemus corda; 7. Circumdederunt me; Gradualia 1607: 8. Propers for the Holy Aposstles Peter and Paul; 9. Hodie Simon Petrus; 10. Tu es pastor ovium; 11. Quodcumque ligaveris; 12. Solve, iubente Deo | The Cardinall's Musick, dir. Andrew Carwood | Hyperion | CDA67653 |
| The Cardinall's Musick Byrd Edition Volume 12 | Assumpta est Maria | Propers For The Nativity Of The Virgin: 1. Salve sancta parens; 2. Benedicta et venerabilis; 3. Felix es, sacra Virgo; 4. Beata es, Virgo Maria; 5. Beata viscera; 6. Quem terra, pontus, aethera; 7. Salve regina a 4; 8. O gloriosa Domina; Propers For The Annunciation To The Virgin: 9. Vultum tuum; 10. Diffusa est gratia; 11. Ave Maria; 12. Ecce virgo concipiet - Alleluia; 13. Memento, salutis auctor; 14. Salve sola Dei genetrix; 15. Ave maris stella; Propers For The Assumption Of The Virgin: 16. Gaudeamus omnes in Domino; 17. Propter veritatem et mansuetudinem; 18. Assumpta est Maria; 19. Optimam partem elegit | The Cardinall's Musick, dir. Andrew Carwood | Hyperion | CDA67675 |
| The Cardinall's Musick Byrd Edition | The Great Service | The Great Service: 1. Venite; 2. Te Deum; 3. Benedictus; 4. Kyrie; 5. Creed; 6. Magnificat; 7. Nunc dimittis; Psalms, Songs and Sonnets 1611: 8. Praise our Lord all ye Gentiles; 9. Make ye joy to God all the earth; 10. Turn our captivity, O Lord; 11. This day Christ was born; Songs of Sundrie Natures 1589: 12. Unto the hils mine eyes I lift | The Cardinall's Musick, dir. Andrew Carwood | Hyperion | CDA67937 |
| Cantiones Sacrae 1575 | Choir of New College Oxford; Higginbotham | CRD | 3492 | ||
| Cantiones Sacrae 1589 | In resurrectione tua; Aspice Domine de sede; O quam gloriosum est; Vigilate; etc | Choir of New College Oxford; Higginbotham | CRD | 3420 | |
| Cantiones Sacrae 1591 | Choir of New College Oxford; Higginbotham | CRD | 3439 | ||
| The Three Masses | Mass for five voices, Mass for four voices, Mass for three voices | The Tallis Scholars | Gimell | 454 945-2 | |
| Byrd/Taverner | Mass for four voices, 4 Motets/Sacred Music | Mass for four voices; Ne Irascaris Domine; Domine, Non Sum Dignis; Haec Dicit Dominus; Ave Verum Corpus | Pro Cantione Antiqua dir. Bruno Turner | ASV Quicksilva | QS6132 |
| Mass for Five Voices | with the Propers for All Saints' Day, Motets | Mass for Five Voices, Motets | Christ Church Cathedral Choir | Nimbus | NI 5237 |
| Mass for Five Voices | Music for the Feast of Corpus Christi | Mass for Five Voices, Motets | Winchester Cathedral Choir | Hyperion | CDA 66837 |
| William Byrd | Second Service & Consort Anthems | 1. Arise, O Lord (2nd part: Help us, O God) 2. O God, that guides the cheerful sun 3. Alack, when I look back 4. In nomine a5 (II) (instrumental) 5. Second Service (Magnificat) 6. Fantasia in D minor (organ solo) 7. Second Service (Nunc dimittis) 8. In nomine a5 (IV) (instrumental) 9. Blessed is he that fears the Lord 10. Thou God that guid'st 11. O Lord, make thy servant Elizabeth 12. Fantasia in A minor (organ solo) 13. Lord in thy wrath 14. In nomine a5 (V) (instrumental) 15. Have mercy upon me, O God 16. Why do I use my paper, ink and pen? 17. Prevent us, O Lord | The Choir of Magdalen College, Oxford dir. Bill Ives, Fretwork | Harmonia Mundi | HMU 907440 |
| William Byrd | The Great Service | 1. ANTHEM: O Lord, make thy servant Elizabeth; 2. THE GREAT SERVICE: Venite; 3.THE GREAT SERVICE: Te Deum; 4. THE GREAT SERVICE: Benedictus; 5. THE GREAT SERVICE: Kyrie; 6. THE GREAT SERVICE: Creed; 7. ANTHEM: Prevent us, O Lord; 8. ORGAN VOLUNTARY: Voluntary for my Lady Nevell; 9. ANTHEM: How long shall mine enemies?; 10. HE GREAT SERVICE: Magnificat; 11. THE GREAT SERVICE: Nunc dimittis; 12. ANTHEM: Out of the deep; 13. ORGAN VOLUNTARY: Fancy for my Lady Nevell; 14. ANTHEM: Christ rising again from the dead; 15. ANTHEM: Sing joyfully | The Choir of Westminster Abbey dir. James O'Donnell, Robert Quinney (org) | Hyperion | CDA 67533 |
| Complete Keyboard Music | 1. Rowland, or Lord Willoughby's Welcome home, MB 7; 2. The Bells, MB 38; 3. French Corantos (3) for Keyboard, MB 21; 4. Hugh Aston's Ground, MB 20; 5. Callino casturame, MB 35; 6. Fantasia in C major no 1, MB 26; 7. The Carman's Whistle, MB 36; etc. | Davitt Moroney | Hyperion | CDA 66551/7 | |
| Byrd | Missa in tempore paschali | In Tempore Paschali; In Assumptione Beatae Mariae Virginis; Antiphons | Chanticleer | Harmonia Mundi | 905182 |
| William Byrd | Consort Songs | 1. Rejoice unto the Lord; 2. Ah silly Soul; 3. An aged dame; 4. O dear life, when may it be; 5. Come to me, grief, for ever; 6. Who likes to love; 7. O that most rare breast; 8. All as a sea; 9. Ye sacred Muses; 10. Constant Penelope; 11. O God that guides the cheerful sun; 12. Lullaby: My sweet little baby; 13. How vain the toils | Robin Blaze (ct), Concordia | Hyperion | CDA67397 |
| With Lilies White | Consort Songs & Music for Viols | O Lord, within thy tabernacle, In Nomine (I), Quis me statim, In Nomine (IV), With lilies white, Fantasia à 5, Wretched Albinus, In Nomine (II), Blame I confess, Prelude & Ground, Ye sacred muses, In Nomine (V), Rejoice unto the lord, Browning, etc. | Gérard Lesne, Wieland Kuijken, Ensemble Orlando Gibbons | Virgin Veritas | 5-45264-2 |
| William Byrd | Complete Consort Music | 1. Fantasia a3 (III); 2. Browning a5 (The Leaves be green); 3. Te lucis a4; 4. In nomine a5 (III); 5. Christe redemptor omnium a4; 6. In nomine a5 (IV); 7. Fantasia a4 (III); 8. Sermone Blando a3; 9. Fantasia a5 (Two parts in one in the 4th above); 10. Fantasia a6 (I) (A Song of two basses); 11. Fantasia a3 (I); 12. Christe qui Lux es a4 (I); 13. In nomine a5 (II) ('on the sharp'); 14. Christe qui Lux es a4 (II); 15. In nomine a4 (II); 16. Fantasia a6 (II); 17. Miserere a4; 18. Fantasia a4 (I); 19. Christe qui Lux es a4 (III); 20. In nomine a5 (V); 21. In nomine a4 (I); 22. Pavan and Galliard a6; 23. Fantasia a6 (III) ('to the vyolls'); 24. Pavan and Galliard a5; 25. Sermone Blando a 4 (II); 26. Fantasia a3 (II); 27. Prelude and Goodnight Ground a5 | Phantasm | Linn | CKD372 |
| Byrd Song | 1. La Verginella; 2. Fantasia a 4; 3. Rejoice Unto The Lord; 4. In Fields Abroad; etc. | Phantasm w. Geraldine McGreevy (s), Ian Partridge (t) | Simax | PSC 1191 | |
| Byrd | Consort and Keyboard Music, Songs and Anthems | 1. Pavan; 2. Galliard; 3. Susanna Fair; 4. Rejoice Unto The Lord; etc. | Rose Consort of Viols w. Red Byrd | Naxos | 8.550604 |
| For His Majestys Sagbutts and Cornetts | English Music from Henry VIII to Charles II | 1. In nomine V a 5; others by Henry VIII, Alwood, Tye, Bull, Coprario, Brade, etc. | His Majestys Sagbutts and Cornetts | Hyperion | CDA 66894 |
| Music of William Byrd | 1. Prelude and Voluntary; 2. Rejoice Unto The Lord; 3. Fantasias; 4. Delight Is Dead; etc | New York Consort of Viols | Lyrichord | LEMS 8015 | |
| William Byrd | Virginals and Consorts | 1. Fantasia a 6; 2. Pavan & Galliard: Kinsborough Good; 3. The Queen's Alman/hugh Ashton's Ground; etc | Skip Sempé, Capriccio Stravangante | Auvidis Astrée | E8611 |
| The Early Byrd | Early works for voices, viols and virginals | 1. Atollite Portas; 2. Triumph with pleasant melody; 3. O Lord how vain; 4. All in a garden green; etc | Sophie Yates, Fretwork | Chaconne | CHAN 0578 |
| The Caged Byrd | Music for voices, viols & harpsichord, form a time of persecution | 1. Vigilate; 2. Crwon'd with flow'rs and lilies; 3. the Tennthe Pavan; 4. O quam Gloriosam est regnum; etc. | Sophie Yates, Fretwork | Chaconne | CHAN 0609 |
| Armada | Music from the courts of England and Spain | 1. Rejoice unto the Lord (Byrd); 2. Diferencias sobre "La dama le demanda" (Antonio de Cabezón); 3. Fantasia (Lopez); 4. Morenica dame (Miguel de Fuenllana); 5. Browning a 3 (Elway Bevin); 6. The Carman's Whistle, MB 36 (Byrd); 7. Psalmes, Sonets and Songs: Come to me, grief, forever (Byrd); 8. Trattado de glosas: Recercada secunda "sobre canto llano" (Diego Ortiz); 9. Fantasia à 5 "Susana un jur" (Hernando de Cabezón); 10. Fantasia de redobles (Miguel de Fuenllana); 11. In angel's weed (Byrd); 12. Dulce memoria (Hernando de Cabezón); 13. Diferencias sobre "La Milanesa" (Antonio de Cabezón); 14. Recercada tercera (Diego Ortiz); 15. Pandolpho 1 "Pour down, you pow'rs divine" (Parsons); 16. Fantasia a 4 (White); 17. Quiento hizo (Esteban Daza); 18. In Nomine a 5 (Picforth); 19. Almain "The Honiesuckle" (Anthony Holborne); 20. Pavan "Paradizo" (Anthony Holborne); 21. Coranto "Fairy Round" (Anthony Holborne); 22. Fantasia a 5 in C major (Byrd); 23. Lachrimae or Seaven Teares: M. Bucton his Galiard (Dowland); 24. Lachrimae or Seaven Teares: Captaine Piper his Galiard (Dowland); 25. Fantasy a 4 (Bull); 26. Lachrimae or Seaven Teares: Lachrimae antiquae (Dowland); 27. Lachrimae or Seaven Teares: M. Nicholas Gryffith his Galiard (Dowland); 28. In Nomine à 5 (Alfonso (II) Ferrabosco); 29. Fantasias (2) à 4 "for the great double bass": Excerpt(s) (Orlando Gibbons); 30. In Nomine à 5 (Orlando Gibbons); 31. Aires for 2 Division Viols in C major: Pavan of Alfonso (Lawes); 32. Aires for 2 Division Viols in C major: Almaine of Alfonso (Lawes); 33. My Ladye Nevalls Booke: A Fancie on C (Byrd); 34. Consort Sett à 5 in C major (Lawes) | Michael Chance (Countertenor), Christopher Wilson (Lute), Paul Nicholson (Harpsichord, Organ), Richard Booth (Bass Viola da gamba), Fretwork | Virgin Veritas | 7243 5 61821 2 7 |
| The Golden Age of English Cathedral Music | 1. Laudibus in Sanctis; others by Tallis, Gibbons, Weelkes, Morley, Taverner | Winchester Cathedral Choirdir.Martin Neary, viols of the Consort of Musicke | ASV Gaudeamus | GAU 119 | |
| Ye Sacred Muses | Consort Songs and Instrumental Music by William Byrd and Orlando Gibbons | 1. Come, pretty babe; 2. Constant Penelope; 3. Ambitious love; 4. Browning my dear; 5. In nomine in d minor; 6. Fair Britain Isle; 7. If women could be fair; 8. Ah, silly soul; others by Gibbons | The Royal Consort, David Cordier (ct) | Globe | GLO 5159 |
| "O Sweet Love" | Byrd | Dowland | 1. Ye sacred Muses (William Byrd); 2. A Fancy ( Dowland); 3. Shall I strive with words to move? (John Dowland); 4. Fortune (William Byrd); 5. Blame I confess (William Byrd); 6. Go From My Window (John Dowland); 7. Say, Love, if ever thou didst find (John Dowland); 8. My Lord Willoughby's Welcome Home (John Dowland); 9. Come to me grief for ever (William Byrd); 10. The Bells (William Byrd); 11. Ah silly Soul (William Byrd); 12. The Carman's Whistle (William Byrd); 13. Lady Hunsdon's Puffe (John Dowland); 14. Come again (John Dowland); 15. Tregian's Ground (William Byrd) | Daniel Taylor (ct), Les Voix Humaines, Stephen Stubbs (l) | Atma | ACD2-2207 |
| Robin Hood | Elizabethan Ballad Settings | 1. I Cannot keepe my wyfe at howme (Anon.); 2. Up tails all (Anon.); 3, The Spanish Pavane (Anon.); 4 . Robin Hoode (Mr. Ascue); 5 John com Kisse me now (Anon.); 6, Chromatica Pavana (Philips); 7 Galliard (Philips); 8, Sueit smyling Katie loves me (Anon.) (Scottish); 9 Put on your sark on Monenday (Anon.); 10. Buckinghames branle (Anon.); 11. The Laydie Louthians like (Anon.); 12, La Volta (Byrd); 13, Wolseys Wilde (Byrd); 14, Pavana Bray set by Fr[ancis] Cutting (Byrd); 15. Galiarda (Byrd); 16, Will yew walke the woods soe wylde (Byrd); 17. My lord willoughbies welcom home (Byrd); 18. Pavin (Rosseter); 19. Galliard (Rosseter); 20. Lusty Gallant (Anon.); 21. [A Ground] (Anon.); 22. Home again, market is done (Anon.); 23. Trenchmore (Anon.); 24. Mall Symes (Anon.) | Paul O'Dette (l) | Harmonia Mundi | HMU 907265 |
| Jane Pickeringe's Lute Book | 1. [A Toy] [#33](Anon.); 2. A Toye [#38](Anon.); 3. A Toye [69](Anon.); 4. Almaine by Francis Cuttinge [62](Cutting); 5. A Toye [30] (Anon.); 6. A Toye (Up Tails All)[72] (Anon.); 7. Drawe near me and lowe me [50] (Anon.); 8. A pavin by Rosseters [44] (Rosseter); 9. A galyard by Rosseters [45] (Rosseter); 10. My lord willoughbies welcome home by Mr byrde [68] (Byrd); 11. Myles Symes [46] (Batchelar?); 12. [Coranto][77] (Lespine?); 13. [An Allemande][87] (Anon.); 14. Galliard [93] (Anon.); 15. [A Country Dance][92] (Anon.); 16. Besse Bell [89] (Anon.); 17. Horne-pipe [91] (Anon.); 18. Sarabande [106] (Anon.); 19. de Sarabande [103] (Germain Pinel?); 20. A pavin by mr Johnsonn [36] (John Johnson); 21. A Crananto [Coranto][53] (Anon.); 22. [A Toy] [16] (Anon.); 23. A Toye [32] (Anon.); 24. A Toye [The Friar and the Nun] [73] (Anon.); 25 [A Toye] [49] (Anon.); 26. A pavin by Mr Daniell Bachler [47] (Batchelar); 27. A Galyard by Mr Daniell Bachler [57] (Batchelar); 28. A Fantasia [37] (Rosseter); 29. The Madley [74] (Anon.); 30. Sweet Robyne [35] (Dowland) | Jacob Heringman (l) | Avie | AV0002 | |
| Elizabethan Songs and Consort Music | 1. Quis me statim; 2. Ye sacred muses; other works by Parsons, Farrant, Taverner, Tye, Mundy, Pattrick, Bennet, Tallis | Rose Consort of Viols, Catherine King (ms) | Naxos | 8.554284 | |
| A Candle in the Dark | Elizabethan Songs and Consort Music | 1. Prelude and ground à 5; 2. Come woeful Orpheus; 3. An aged dame; others by Picforth, Dowland, Mundy, Tye, Campion, Ferrabosco, John Johnson,White | Ellen Hargis (s), Drew Minter (ct), The Newberry Consort dir. Mary Springfels | Harmonia Mundi | HMU 907140 |
| The Triumphs of Oriana | Compiled by Thomas Morley | 1. The Lady Oriana (John Wilbye); 2. Sing, Shepherds All (Richard Nicholson); 3. Lightly She Whipped O'er The Dales (John Mundy); 4. Calm Was The Air And Clear The Sky (Richard Carlton); 5. Fantasia No. 2 (Holborne); 6. Hence Stars Too Dim Of Light (Michael East)_ ; 7. Come, Gentle Swains And Shephards' Dainty Daughters (Michael Cavendish); 8. With Angel's Face And Brightness (Daniel Norcombe); 9. The Nymphs And Shepherds Danced (George Marson); 10. Galliard (Holborne); 11. All Creatures Now Are Merry Merry-Minded (John Bennett); 12. Fair Nymphs, I Heard One Telling (John Farmer); 13. Fair Oriana, Seeming To Wink At Folly set by (Robert Jones); 14. The Fauns And Satyrs Tripping (Thomas Tomkins); 15. Galliard No.8 (Holborne); 16. Round About Her Charret, With All-admiring Strains (Ellis Gibbons); 17. With Wreaths Of Rose And Laurel (William Cobbold); 18. Thus Bonny-boots The Birthday Celebrated (John Holmes); 19. Long Live Fair Oriana. (Hark did you ever hear?) (Ellis Gibbons); 20. Fantasia No. 3 (Holborne); 21. Arise, Awake, Awake (Thomas Morley); 22. Hark! Did Ye Ever Hear So Sweet A Singing? (Thomas Hunt); 23. Fair Orian In The Morn (John Milton); 24. With Angel's Face And Brightness (George Kirbye); 25. Come, Blessed Bird (Edward Johnson); 26. Galliard (Byrd); 27. Hard By A Crystal Fountain (Thomas Morley); 28. Fair Oriana, Beauty's Queen (John Hilton); 29. Fair Cytherea Presents Her Doves (John Lisley); 30. As Vesta Was From Latmos Hill Descending (Thomas Weelkes) | I Fagiolini | Chandos Chaconne | CHAN 0682 |
| "Heavenly Noyse" | English Music for Mixed Consort from the Golden Age | 1. My Lord of Oxenford's Masque; others by Allison, Morley, Philips, Campion, Nicholson, Lupo, Baxter, Holborne, Hume, Dowland | Dowland Consortdir.Jakob Lindberg | Bis | CD-451 |
| Taverner & Tudor Church Music II | Gloria tibi Trinitas | Plainchant antiphon: Gratias tibi Deus; Magnificat Regale (Robert Fayrfax); Plainchant Introit: Benedicta sit; Gloria tibi Trinitas - Gloria (John Taverner); Christe qui lux es et dies (III) (Robert White); Plainchant Gradual: Benedictus es; Gloria tibi Trinitas - Credo (John Taverner); Christe qui lux es et dies (IV) (Robert White); Plainchant antiphon: Gloria tibi Trinitas; Gloria tibi Trinitas - Sanctus (John Taverner); Gloria tibi Trinitas - Benedictus (John Taverner); Christe qui lux es et dies (William Byrd); Plainchant hymn: Iam sol recedit igneus; Gloria tibi Trinitas - Agnus Dei (John Taverner); Te lucis ante terminum (Thomas Tallis) | Ars Nova Copenhagen | Ars Nova (Da Capo) | 8.226056 |
| Coronation Music for Charles II | 22 April 1661 | 1. The song called trumpets (Parsons); 2. L'Entrée, A Cheval, Cavalcade & Double Cavalcade, La Retraite (Mersenne); 3. 5-part things for the cornetts (Locke); 4. Entrata Imperiale (Fantini); 5. O Lord, grant the King a long life (William Child); 6. In nomine à 5 (Byrd); 7. The King shall rejoice (Humfrey) 8. Miserere à 4 (Byrd); 9. Te Deum: "The King" (Humfrey); 10. Pavana à 5, Galliarda à 5, Pavana à 5, Galiarda & Coranto à 5 (Augustine Bassano); 11. Fantazia 2 à 6 (William Lawes); 12. Pavan à 6 (Augustine Bassano); 13. Almand à 6 (Anon.); 14. Browning à 5 "The leaves be green" (Byrd); 15. Courtly Masquing Ayres à 5 Nos 19-21 (John Adson) | Psallentes, Oltremontano dir. Wim Becu | Accent | ACC24300 |
| Parthenia | William Byrd | John Bull | Orlando Gibbons | 1. Galiardo [No. 16] (Gibbons); 2. Fantazia of Foure Parts [No. 17] (Gibbons); 3. The Lord of Salisbury His Pavin [No. 18] (Gibbons); 4. Galiardo [No. 19] (Gibbons); 5. The Queenes Command [No. 20] (Gibbons); 6. Preludium [No. 21] (Gibbons); 7. Preludium [No. 1] (Byrd); 8. Pavana, Sir William Petre [No. 2] (Byrd); 9. Galiardo, Sir William Petre [No. 3] (Byrd); 10. Preludium [No. 4] (Byrd); 11. Galiardo, Mris Marye Browning [No. 5] (Byrd); 12. Pavana, The Earle of Salisbury [No. 6] (Byrd); 13. Galiardo, The Earle of Salisbury [No. 7] (Byrd); 14. Galiarde Secunde, Mris Marye Browning [No. 8] (Byrd); 15. Preludium [No. 9] (Bull); 16. Pavana St Thomas Wake [No. 10] (Bull); 17. Galiardo St Thomas Wake [No. 11] (Bull); 18. Pavana [No. 12] (Bull); 19. Galiardo [No. 13] (Bull); 20. Galiardo [No. 14] (Bull); 21. Galiardo [No. 15] (Bull) | Colin Tilney (hpsd) | Vogue | CV24002 (LP) |
| Music for Virginal | Original Instruments | 1. Pavan (Gibbons); 2. Galliard (Gibbons); 3. Prelude (Byrd); 4. Passamezzo Pavan); 5. Passamezzo Galliard; 6. The Hunt's Up (Byrd); 7. Why Ask You (Farnaby); 8. Why Ask You (Bull); 9. Prelude (Bull); 10. Chromatic Pavan (Queen Elizabeth's) (Bull); 11. Chromatic Galliard (Bull); 12. Pavan (Tomkins); The Hunting Galliard (Tomkins) | Colin Tilney (hpsd, vir) | Archive | 2533 379 (LP) |
| English Music For Harpsichord | 1. Melancholy Galliard (Dowland); 2. The Shoemaker's Wife (Dowland); 3. My Lady Hunsdowne's Puffe (Dowland); 4. Pavan FWVB 4 (Ferdinando Richardson); 5. Almand FWVB 14 (Anon.); 6. Dr Bull's Juell FWVB 138 (Bull); 7. In Nomine FWVB 37 (Bull); 8. Walsingham FWVB 1 (Bull); 9. The King's Hunt FWVB 135 (Bull); 10. Bonny Sweet Robin FWVB FWVB 15 (Munday); 11. Alman FWVB 172 (Morley); 12. The Fall of the Leafe FWVB 172 (Peerson); 13. Galiardas Passamezzo FWVB 57 (Byrd); 14. Nobodys Gigge FWVB 149 (Richard Farnaby); 15. Air (Purcell); 16. Canary (Purcell); 17. Ground (Croft) | Zuzana Ruzickova (hpsd) | Supraphon | SUA ST 50787 (LP) | |
| Thomas Tallis: Lamentationes Jeremiae | William Byrd: Missa Tres Vocum | 1. Mass for Three Voices; 2. The Lamentations of Jeremiah(Tallis) | Pro Cantione Antiqua, Londondir.Bruno Turner | Archiv | 2533 113(LP) | |
| A Consort Of Musicke Bye William Byrde and Orlando Gibbons | 1. The Firste Pavan and Galliarde; 2. Hughe Ashton's Grownde; 3. Pavana the Sixte and Galliard; 4. A Voluntary; 5. Sellinger's Rownde; others by Gibbons | Glenn Gould | Columbia Masterworks | M 30825 (LP) | |
| The Fitzwilliam Virginal Book | Selection | 1. A Gigg; 2. Jhon come kiss me now; 3. The Queenes Alman; 4. La Volta; 5. Alman; 6. Wolseys Wilde; 7. Callino Casturame; 8. La Volta; others by Farnaby, Philips, Bull, Tisdale, Philips, Inglott, Edward Johnson, Peerson, John Munday, anon. | Christopher Hogwood | L'Oiseau Lyre | D261D2 (LP) |
| Masters of Early English Keyboard Music | 1. Lord Willobys Welcome Home; 2. The First Pavan and Galliard; 3. The Queen's Alman; 4. The Fifth Pavan and Galliard; 5. The First French Coranto; 6. Pavan and two Galliards 'The Earl of Salisbury; others by Bull, Tomkins, Farnaby, Blitheman, gibbons, Preston, Locke, etc. | Thurston Dart (h, org, clav) | L'Oiseau Lyre | OSL 114/8(LP) | |
| Altenglische Consortmusik | 1. My Lord of Oxenfords Masque; 2. The Leaves be green; others by Alison, Holborne, Lawes, Coperario, Strowgers, Ferrabosco II, Robert Johnson, Morley | Konrad Ragossnig (l), The Linde-Consort | EMI-Reflexe | 1C063-30 105 (LP) | |
| Madrigale und Orgelmusik der Englischen Renaissance | 1. Though Amaryllis dance; others by Carleton, Tallis, Redford, Gibbons, Tye, Weelkes, Edwards, Tomkins, Shelbye, Dowland, Blitheman, Morley | The London Ambrosian Singersdir.John McCarthy | Polyhymnia | 1995 (LP) |